“To open out his novel, Hamid intercuts the story of Nadia and Saeed with short, strobe-lit glimpses of other people’s stories around the world in a fashion that recalls a technique David Mitchell has employed in novels like “Ghostwritten.” It’s a technique that underscores the simultaneity of time and experience in our globalized world, reminding us of both the amazing similarities and vast differences among countries and individuals across an increasingly interconnected planet.
“By mixing the real and the surreal, and using old fairy-tale magic, Hamid has created a fictional universe that captures the global perils percolating beneath today’s headlines, while at the same time painting an unnervingly dystopian portrait of what might lie down the road. The world in “Exit West” is, in many respects, an extrapolation of the world we live in now, with wars like the one in Syria turning cities into war zones; with political crises, warp-speed technological changes, and growing tensions between nativists and migrants threatening to upend millions of lives.”
Michiko Kakutani, ‘Review: In ‘Exit West,’ Mohsin Hamid Mixes Global Trouble With a Bit of Magic”New York Times, Books of the Times. Feb. 27, 2017
“In a city swollen by refugees but still mostly at peace, or at least not yet openly at war, a young man met a young woman in a classroom and did not speak to her. For many days. His name was Saeed and her name was Nadia and he had a beard, not a full beard, more a studiously maintained stubble, and she was always clad from the tips of her toes to the bottom of her jugular notch in a flowing black robe. Back then people continued to enjoy the luxury of wearing more or less what they wanted to wear, clothing and hair wise, within certain bounds of course, and so these choices meant something.
“It might seem odd that in cities teetering at the edge of the abyss young people still go to class—in this case an evening class on corporate identity and product branding—but that is the way of things, with cities as with life, for one moment we are pottering about our errands as usual and the next we are dying, and our eternally impending ending does not put a stop to our transient beginnings and middles until the instant when it does.
“Saeed noticed that Nadia had a beauty mark on her neck, a tawny oval that sometimes, rarely but not never, moved with her pulse.
“Not long after noticing this, Saeed spoke to Nadia for the first time. Their city had yet to experience any major fighting, just some shootings and the odd car bombing, felt in one’s chest cavity as a subsonic vibration like those emitted by large loudspeakers at music concerts, and Saeed and Nadia had packed up their books and were leaving class.
“In the stairwell he turned to her and said, “Listen, would you like to have a coffee,” and after a brief pause added, to make it seem less forward, given her conservative attire, “in the cafeteria?”
“Nadia looked him in the eye. “You don’t say your evening prayers?” she asked.
“Saeed conjured up his most endearing grin. “Not always. Sadly.”
“Her expression did not change.
“So he persevered, clinging to his grin with the mounting desperation of a doomed rock climber: “I think it’s personal. Each of us has his own way. Or . . . her own way. Nobody’s perfect. And, in any case—”
“She interrupted him. “I don’t pray,” she said.
“She continued to gaze at him steadily.
“Then she said, ‘Maybe another time.’
“He watched as she walked out to the student parking area and there, instead of covering her head with a black cloth, as he expected, she donned a black motorcycle helmet that had been locked to a scuffed-up hundred-ish cc trail bike, snapped down her visor, straddled her ride, and rode off, disappearing with a controlled rumble into the gathering dusk.”
“In this group, everyone was foreign, and so, in a sense, no one was. Nadia and Saeed quickly located a cluster of fellow countrywomen and -men and learned that they were on the Greek island of Mykonos, a great draw for tourists in the summer, and, it seemed, a great draw for migrants this winter, and that the doors out, which is to say the doors to richer destinations, were heavily guarded, but the doors in, the doors from poorer places, were mostly left unsecured, perhaps in the hope that people would go back to where they came from – although almost no one ever did – or perhaps because there were simply too many doors from too many poorer places to guard them all.”